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Gonzalez is thoughtful in where he places clips from these films.
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Combining arthouse sensibilities with kitsch, Anal Fury and Homocidal harness a deliciously spiteful attitude. This is reflected in the fictional pornographic films of protagonist Anne Parèse (Vanessa Paradis), which is indebted to the work of Anne-Marie Tensi. Also Read: Sprout and the Bean: How ‘The Strangers’ Uses Music To Create Its Disturbing Atmosphere Part of their agenda honors the liberating power of desire and of acting on one’s desires. They were influential in the repeal of anti-gay laws in the ‘80s. FHAR significantly disrupted anti-gay rhetoric in national French media. They fought against the government’s condemnation of same-sex love as a vice. The 1968 student-led general strikes led to the formation of groups such as Le Front Homosexuel d’action Révolutionnaire (Homosexual Revolutionary Action Front). Set in 1979, Gonzalez’s dreamy portrayal of autonomous gay life is a snapshot of a decade forged by political fury. Its needle drops tether us to the headspace of the characters living through synchronous moments of devotion and terror. M83 lays the groundwork for an audience to explore the world of the film. The music adorns an environment centered on the lives of queer artists, sex workers, and wallflowers, all touched by the destruction of an evasive killer. A lavish score by M83 (fronted by sibling Anthony Gonzalez) fits harmoniously alongside radical innovations in late-70s disco and the darker bellows of post-punk. We feel each cut and sink with every heartache.
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Through a torrent of surreal imagery, Yann Gonzalez’s sophomore feature delivers an experience as malleable as the stock that captures its various love scenes. The energy that possesses every frame of Knife + Heart is equal parts rage and hunger.